Archive for January, 2009

Underlying themes

Posted in Uncategorized on January 25, 2009 by sajewilliams

Having sat through a literature class or two, I imagine that there are a few who’d read my books and wonder “what is he trying to say?”  Oh, some of my philosophy bleeds through into the work, but anyone trying to view it through a certain manufactured lens will and should be a bit puzzled.  I’ve never bought into the notion that there is some sort of Rosetta Stone with which to translate the expressions of various authors into a single set of metaphors.  This apparent belief was one of the things that made Lit class a form of torture for me.  As a writer myself, I found it hard to align what I was being told with what I already knew about the craft.

In my later Infinity: Empire books, a specific adage will appear.  “Humanity Abides.”  In a post-human universe, where the ordinary view of humanity no longer applies, the question that arises is basically ‘how human are these characters?”  Since I believe that humanity is both a catchall phrase replacing the often sexist “mankind” as well as a philosophical perspective suggesting a particular ethical and moral path, the opposite of “man’s inhumanity to man,” it is my contention that the definition of humanity is incredibly broad.

There is no doubt that in my universe the power possessed by some of my characters, as well as their separation from ordinary humans on a genetic or cultural level, makes the first definition of the word–basic human-ness, something of a question mark.  Is a vampire human, under the surface?  Can he be?  Or how about the immortals–the original ones, or the newcomers like Jasmine Tashae?  How human is a being that can weave probability the way someone might weave cloth, or destroy an enemy as easy as some might squash a bug?

I often try to paint questions of right and wrong among the immortals and other post-humans as a matter of individual perspective.  ArchAngel, arguably one of the most powerful immortals in existence, is by nature a pacifist despite his warrior past.  Or, perhaps, pacifist isn’t quite the right word.  He isn’t opposed to violence when he thinks it’s necessary, but he prefers to avoid it if at all possible.   On the other hand, the Lady of Blades determines the value of life quite differently than does ArchAngel.  Diseased humans, those who prey on those weaker than themselves, hold no value to her.  She completely disdains their alleged humanity.  Her attitude toward such people is one of the things that prompts people to fear her, though it’s often all out of context.  Her temper, and capacity for violence, is just one aspect of her personality–the one most obvious to bystanders.

But her desire to protect the innocent can’t be denied.  There are very few lines she wouldn’t cross to do it, or to exact vengeance–or justice–if it came to that.  Not only for the innocent harmed, but for those who might be harmed by the same force in the future.

Then you have Loki, who would never intentionally harm anyone, yet killed tens of thousands when his nanoviruses swept through the population.

Cynicism is easy.  The kind of abject nihilism that suggests that there’s no purpose to our existence, that we might be, as Agent Smith suggests in the Matrix movies, little more than a virus, a disease, ourselves, is as damning of humanity as those who claim Original Sin.  I believe neither of these things.  We are flawed, yes, but we are also more than the sum of our flaws.

Though it’s doubtful that anyone could see it in my writing, two of my biggest influences have been Frank Herbert, with his Dune series (not just the first book, mind you, but the whole of the series until he died), and Spider Robinson, to whose work “Tales from the Magitech Lounge” was something of a tribute.  My time traveler, Jack, is no Mike Callahan, but he was never meant to be.

My goal is to create something bigger than just a story, or even a series of stories.  Not to preach, but to attempt to illuminate something I believe about us–about humanity.  That, despite our destructive ways, our incessant hunger for something tangible to define ourselves, and our belief that we can somehow triumph over injustice by perpetrating injustices, there is a spark of something at our core that transcends this.  A belief that we can be better, that humanity is more than just a word, or a virus dedicated to perpetuating ourselves and consuming all in its path.  That there may be a higher purpose for our existence.

In the end my books are about people.  Strange people, sometimes, but they have the same kind of flaws, suffer from the same sort of misjudgements and false starts as the rest of us.  Perfection is not only unattainable, it’s not desirable.  Only in the striving to be better, to be more, can we find our destiny.

Yes, I believe in redemption.  I believe in evil, too, but primarily evil in the form of that nasty little voice inside all of us that leads us away from our better selves, so far in some cases that there can be no path back.  I think there’s more to all of this than we can see, or measure, be it with the naked eye or with mechanical and electronic artifacts.  And, in the end, it’s up to us as individuals, as humans, to help change the world.  No one else is going to do it for us.

Humanity Abides.  Even in the darkness.

Not Funny

Posted in Uncategorized on January 24, 2009 by sajewilliams

Is it me?  Is my sense of humor somehow absent, or is Hollywood’s concept of the “comedy” anything but funny anymore?  Sitcoms are bad enough, but I’m not talking about television here.  I honestly can’t think of a single “comedy” that’s come out in the last few years in which I said “hey, I’ve just gotta see that.”  In fact, my typical reaction is, “I’d rather be eaten alive by starving weasels.”  Billy Bobby?  Blades of Glory?  How ’bout you all go fuck yourselves?  This shit isn’t remotely funny.  Stupid people acting stupid.  Ack.  How is that funny?

It’s bad when romantic comedies, a genre I’m not particularly impressed with in the first place, beat the others hands down.  (Standard theme: boy meets girl/girl meets boy <pick one> lies to the other and “hilarity ensues” as they try to fix the damage when the lie is discovered.  End with a “stirring dramatic gesture” and everything’s hunky-dory.  Yuck.  But compared to such offerings as described above, they’re the fucking pinnacle of artistic achievement in comedy.

And the spoofs.  Ugh.  Scary Movie CXIV, Superhero Movie, Epic Movie.  Okay, folks, NOT funny.  Not remotely funny.  WAY overdone.  A good spoof is the original Airplane–something that (if you’ll pardon the expression) flies on its own rather than leaning too heavily on that which it’s spoofing.  Airplane spoofed the Airport movies, which desperately deserved spoofing, but it also included a thousand little bits that were funny all on their own.  Some of the funniest things on Airplane were the things that happened behind the main scene, little vignettes that added a kind of three dimensional humor to the picture.  The argument about the purpose of the yellow line, the way the automatic pilot was inflated, the antics of the gay airport employee.  Oh, I imagine a few people might have been offended by him, but he was funny.  It was so over-the-top it couldn’t be anything but satirical.

Or Ghostbusters.  Original, thrilling, and laugh-out-loud funny.  My gawd, what ever happened to that sort of thing?  Now even if they make the attempt at something like that, they try too damn hard and it falls flat on its face.  Is it the writers, or the studios?  Hell, maybe it’s the actors.  Mike Meyers scored a big hit with his Austin Powers movies, but I found Dr. Evil and his son WAY funnier than the title character.  Even so I’ve never watched any of them all the way through.  I just can’t last that long.

And don’t even get me started on television, on sitcoms.  I loathe them almost universally, and it takes a gun-wielding captor to make me watch them at all now.  Oh, I’ve caught a few scenes worthy of a chuckle just in passing, but most get by with overblown sexual innuendo and the kind of cheap gags that Three’s Company made famous.  And, really, I’m not a big fan of the 22 minute format.  If it’s good enough to be on for half an hour, it’s good enough to be on for an hour.

I get more laughs from an episode of House, or, back when it was on, the better episodes of Gilmore Girls, than I do off a dozen sitcoms.  I guess I generally like my comedy one of two ways–either subtle and dry or so absurd as to be literally impossible.

Ah, well, there’s always Pixar animation.  I’m rarely disappointed there.  Funny, but not stupid funny.  Stupid isn’t funny, folks.  It’s just not.  And I dearly wish people would stop pretending that it is.

Ah…Smallville’s back

Posted in Uncategorized on January 23, 2009 by sajewilliams

Early on, I had issues with the show with their whole “freak of the week” thing, but once they got past that, I think the writers did one heck of a job reinventing a (let’s face it) rather ridiculous superhero concept.  I was a Marvel fan, so I never really got the whole Superman thing.  Too many things that made suspension of belief nearly impossible.  It’s not even so much the limited vulnerability to glowing rocks of various colors (and magic…can’t forget magic), but how a pair of glasses and acting like an oaf could hide his identity.

I know a lot of long time Superman fans have issues with the show.  When Superman Returns came out, I waited for it to hit cable before I watched it.  Bleh.  For too many years Tom Welling has been playing Clark Kent for me to absorb the idea that some other guy was Superman.

My wife, who isn’t really a fan of the show, though she’ll watch it with me from time to time, thinks that Welling would play a great Rourke if there was ever a big or small screen version of the J.D. Robb books.  I think she’s right.

It’s funny that my favorite character on the show has nothing to do with the original canon.  Yes, I’m talking about Cloe.  Ever season I hold some fear that they’ll wipe her out of existence, which would piss me off immensely.  The Doomsday story arc made me itch and I’m glad it’s over for now.

I am, however, missing Lex.  I really liked Lex at the beginning, and congratulate the writers for being able to portray his slow slide into villainy as well as they did.

As TV shows go, generally the writing has been quite good, and hope it continues to the end of the show.  Of course, when the series finale comes, I have to wonder where they’ll leave it.  They’ve done a remarkably smooth adaptation from high school to adult life–better than they managed with Buffy in some respects–but a series finale holds a lot of challenges for them.  Buffy’s set a very high bar that few shows have managed to hit in the last few years.  Of course, it doesn’t help that advertisers and studio execs have very little sympathy for us poor consumers and our preferences.  Some very good shows have ended before their time without even a serious nod in our direction.

Okay, now I’m just bitching.  I’ll leave off here.  Back to Smallville.

Inspiration

Posted in Uncategorized on January 21, 2009 by sajewilliams

I’ve found myself watching Xena again lately.  Sometime early last year I watched the last season (which I’d missed originally) through netflix and discovered that I still enjoyed it as much as ever.  Since I’m currently working on a project involving a similar relationship between two women, (oh, get your mind out of the sewer and back in the gutter with the rest of us) I’ve found it rather helpful.

I think it’s important for people to understand what limits some of my characters, particularly those with incredible powers like Jasmine Tashae and Nyx Deathweb.  Jaz is an immortal mage, and one of the most talented of her kind to ever live.  It’s probably easier to detail what she can’t do than what she can.  So we’re left wondering–well, what stops her from going power-mad?

Well, that’s easy.  Honor, for one.  Her own obsessions, for another.  Jaz is obsessed with justice, and with the protection of the innocent.  But one of the things that, ultimately, keep her from going over the edge is the reflection of herself in the eyes of the person she loves and trusts most–her protege and partner Nyx.

Nyx is considerably younger than Jaz, and hasn’t been hardened the way she is–though in a pinch she can be just as hard when necessary.  But overall, she’s got a softer side Jaz rarely allows herself to show, and my goal is to show that, and show how she tempers Jaz herself.

In a literary universe seemingly innundated with a whole different perspective–particularly all the m/m and m/m/f erotica out there, I feel no shame in bringing something else to the table.  And, no, it won’t be in the least bit erotic, since I feel that would cheapen the story I want to tell.  This is about the development of the emotional relationship between the two women, not a way to titillate those who would find the sexual aspects intriguing.  Hell, I admit I myself would find that intriguing, but I respect my characters and my work far too much to go that route.

The way I see it, there are enough authors writing erotica out there, and, as I said in an earlier post, I think most of it is about women speaking to other women.  I cannot contribute to that dialogue, and I don’t feel it’s my place to try.

So the story I’m telling has nothing to do with any of that.  And, you know, I’m rather proud of that.  This is part of why I became a writer in the first place, and why I stuck with it through all the negativity people threw at me.  I want to write things that not only occasionally bring people to think, but also to feel.  And that’s what all art is about, in the end.